Mozart
Sesto, Vitellia, and the Space Between Binaries
December 14, 2017
Mozart’s La Clemenza di Tito displays the damage that the heavy-handed, fearful binarization of gender can cause, and models a love based on true understanding.
“Non so più, cosa son”
April 3, 2017
An English translation of Cherubino’s first aria from Le Nozze di Figaro, written for the 2017 Marriage of Figaro production at UT Dallas.
“Voi che sapete”
April 3, 2017
An English translation of Cherubino’s second aria from Le Nozze di Figaro, written for the 2017 Marriage of Figaro production at UT Dallas.
Discovering Cherubino
March 15, 2017
Beaumarchais’s original text included detailed character notes: “Chérubin” was to be played as “a charming young scamp, diffident only in the presence of the Countess.”